Journal of the stylistic of Persian poem and prose
Article Info
Journal of the stylistic of Persian poem and prose شماره 73

volume Number : 15
number In Volume : 3
issue Number : 73

Journal of the stylistic of Persian poem and prose
volume Number 15، number In Volume 3، ، issue Number 73

A study of the style and content of Masnavi Chahar Chaman Shah Da’ei

Behzad Zakeri , Sepideh Sepehri (Author in Charge), Elahe Hajiha

Abstract

BACKGROUND AND OBJECTIVES: Shah Da’ei Shirazi is one of the mystical poets of the ninth century AH who has left many works of poetry and prose. One of his poems is "Set Shah Shah Da’ei " and Masnavi "Chahar Chaman" is the fourth poem of Set. The purpose of this research is to analyze the style and content of Masnavi Chahar Chaman from three perspectives: intellectual, linguistic and literary.

METHODOLOGY: This article is based on library studies and has been done in a descriptive-analytical manner.

FINDINGS: Shah Da’ei is one of the propagandists of Ibn Arabi"s idea of ​​existential unity. As in Masnavi Chahar Chaman, the influence of the thoughts of Ibn Arabi and Attar is evident. Also, the ontological thoughts of Shah Da’ei in the frequency of words, terms and content show the influence of this mystic poet from Ibn Arabi. In seven valleys of conduct and the issue of unity, the existence of Attar"s influence can also be seen in this Masnavi.

CONCLUSION: The achievements of the research show the initiative and independence of Shah Da’ei in the artistic, literary and content structure. In such a way that this mystic poet has been able to start a new path in mysticism with his imagination. Although in Masnavi Chahar Chaman, errors are seen in terms of verbal and content novelty, but in the intellectual and content aspects of this work, innovations are seen

Keyword
Shah Da’ei , Chahar Chaman , Ibn Arabi , Attar

Reference
  • The Holy Quran
  • Fayyaz Manesh, Parand. (2005). Another look at the music of poetry and its connection with the subject, imagination and poetic feelings, Persian Language and Literature Research, New Era, Vol. 4, pp.163-186.
  • Fotouhi, Mahmoud. (2011). Stylistics, theories, approaches and methods, Tehran: Sokhan, p.306.
  • Goharin, Seyyed Sadegh. (2003). Explanation of Sufi Terms, Tehran: Zavvar, p.265, 314
  • Homayi, Jalaluddin. (2004). Rhetoric and Literary Crafts, Tehran: Homa, p.48.
  • Jamali, Shahrooz. (2004). Repetition of the basis of poetry music, Kayhan Farhangi, vol. 216, pp. 60-66.
  • Lahiji, Mohammad. (1995). Golshan Raz, Comments by Reza Barzegar Khaleghi and Effat Karbasi, Tehran: Zavvar, p.44.
  • Mallah, Hossein Ali. (1988). The link between music and poetry, Tehran: Safa, p.83.
  • Mohseni, Ahmad. (2003). Row and music of poetry, Mashhad: Ferdowsi University of Mashhad, pp.11-13.
  • Moran, Antonio. (1997). Jung, The Gods of Modern Man (from the Philosophy of Today), Translated by Dariush Mehrjoui, Tehran: Markaz, pp.82-83.
  • Mustamali Bukhara’ee, Abu Ibrahim. (1987). Translated by Mohammad Javad Shari’at, Tehran: Asatir, p.1239.
  • Qoshiri, Abdul Karim. (1988 AD / 1408 AH). Al-Risalah Qoshiriyyah, by the famous effort of Zarik and Ali Abdul Hamid Balteji, Beirut, p.99.
  • Raj’ai Bukharaei, Ahmad Ali. (1985). Dictionary of Hafez Poems, Tehran: Zavvar, p.36.
  • Sajjadi, Seyed Ja’far. (1991). Dictionary of Mystical Words and Terms, Tehran: Tahoori, p.86.
  • Shafiee Kadkani, Mohammad Reza. (1991). Music of poetry, Tehran: Agah, p.393, 142, 51.
  • Shafiee Kadkani, Mohammad Reza. (2008). Images of Imagination in Persian Poetry, Tehran: Agah, p.170.
  • Shah Da’ei Shirazi, Nizamuddin Mahmoud. (1960). Poetry Divan, By the effort of Mohammad Dabir Siyaghi, Tehran: Knowledge Center.
  • Shamisa, Sirus. (2002). Familiarity with rhyming propositions, Tehran: Ferdows, p.260, 130, 225.
  • Shamisa, Sirus. (2003). Poetry Stylistics, Tehran: Ferdows, p.258.
  • Shamisa, Sirus. (2004). Expression and meaning, Tehran: Ferdows, p.62.